MIREILLE KAZAN
000

MIREILLE
KAZAN

I arrive before the machines

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Beirut — Lyon Spatial Drawing / Ink Installation
MUR
PORTEUR

2024 / Ink on translucent linen, 3 panels / 240 × 360 cm each

01 / The Work
02 / Statement
"I am interested
in what walls
remember."

Not the people who lived inside them — that is what photography does. I am interested in the wall itself: its plaster, its load, its cracks that were filled and refilled over decades.

The ink I use is not metaphor. It is material. It has weight. It settles into the surface differently each time, the way sediment settles into a riverbed.

When a building is demolished in Beirut, it is not just a structure that disappears. It is a record of the city's negotiations with itself. My drawings are not elegies. They are cadastral documents.

I arrive before the machines. I draw until the light is gone. Then I leave. The drawing stays.

03 / Selected Works

Selected
Works

Mur porteur
01

Mur
porteur

2024 Ink on translucent linen, 3 panels

Three drawings of the same wall on three successive days. On the fourth day, the building was gone. The ink weighs differently on each panel.

240 × 360 cm each
02

Levantine
Cartography

2023 Site-specific installation

Seven hundred meters of translucent paper suspended through an abandoned hangar. A three-dimensional map of Beirut streets that no longer have names.

Variable dimensions / approx. 700 m²
Levantine Cartography
Strate IV
03

Strate IV

2022 Ink on washi paper, 12 sheets

Twelve drawings of the same facade. Each sheet overdrawn one hundred and forty times. At a certain density of ink, the image disappears inside itself.

80 × 120 cm each
04

Dernière
saison

2021 Super-8 film loop, 2 channels

A stairwell filmed from below over six months at fifteen frames per second. The building was demolished at the end of the year. The film is the building's last record of itself.

47 min (loop)
Dernière saison
04 / About
Mireille Kazan Portrait
Mireille Kazan, 2024 Photo: Studio Archive

Mireille
Kazan

Mireille Kazan was born in Lyon in 1986 to a French father and a Lebanese mother. She studied at Villa Arson in Nice before completing a residency at the Lebanese Academy of Fine Arts in Beirut, where she has maintained a studio since 2011.

Her practice began in 2008, when the building in which her maternal grandfather had kept his architectural office for thirty years was demolished to make way for a commercial tower. She arrived that morning with ink and paper, not knowing yet that this would become her life's work.

Her large-scale installations have been shown at Documenta 15, the Sharjah Biennial, Biennale de Lyon, and institutions across Europe and the Middle East.

Exhibition History

  • 2024Biennale de Lyon — Invitée d'honneur
  • 2024Sursock Museum, Beirut — "Cadastre"
  • 2023Sharjah Biennial 16
  • 2023Galerie Chantal Crousel, Paris
  • 2022Kunsthalle Basel — "Architectural Grief"
  • 2022Documenta 15
  • 2021MACBA Barcelona — "Strate"

Publications

  • Frieze
  • Mousse Magazine
  • L'Orient Littéraire
  • Artforum
  • Flash Art
  • Texte zur Kunst
05 / Contact

Contact &
Representation